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Teeko & Diamond Ortiz – Real Ones (SFC) – NTTG-001 – 7″ 45rpm

Our first limited release  with Teeko featuring Diamond Ortiz.

Scheduled for official release on Friday, Dec. 16th. Items will ship on Tuesday, December 13.

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ABOUT THE RELEASE

Teeko is a San Francisco based producer & DJ and half of the the future funk duo Starship Connection. On this collaboration he’s joined by native Bay Area funkster Diamond Ortiz (MoFunk) for a fine serving of synthesized boogie/funk fresh out of California. Teeko performs on a Roland JX3P, Mini-Moog Voyager, & Talkbox. Diamond Ortiz performs vocals with a Microkorg XL with a Rocktron Banshee Talkbox. Real Ones is a lively vocoder slapper written & performed by Teeko with DJ friendly instrumental on the B side.

Limited to 1000 hand numbered copies. Pressed at Rainbow Records. Releasing Dec 16th
Teeko ft. Diamond Ortiza- REAL ONES (SFC)
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UPCOMING EVENTS

Date Artist Location Venue Time
12/1/16

12/3/16

12/5/16

12/6/16

12/8/16

12/9/16

12/10/16

12/14/16

1/14/16

03/10/17

Aki Kumar

Diamond Ortiz

Aki Kumar

Aki Kumar

Aki Kumar

Aki Kumar

Allen Johnson

RyStylz, Basura, Allen Johnson, Dave Ma

Aki Kumar, Basura, David Ma, Allen Johnson

Teeko

Campbell, CA

Los Angeles, CA

Aptos, CA

Fremont, CA

Campbell, CA

Martinez, CA

San Jose, CA

San Jose, CA

San Jose, CA

San Francisco, CA

Little Lou’s

EICid

Aptos Street BBQ

Mojo Lounge

Little Lou’s

Armando’s

Headley Club

Cafe Stritch

Cafe Stritch

Mezzanine

7:30 PM

9:00PM

6:00 PM

8:00 PM

7:30 PM

8:00 PM

9:00 PM

9:00 PM

9:00 PM

MUSIC BITES

Gentle Cycle S/T LP – (self-released) – 2017 lo-fi, acid rock, pscyh

By |12/29/2017|News, Uncategorized|

Gentle Cycle S/T LP – (self-released) 2017

Earlier this year, San Jose’s very own Gentle Cycle, released a tasteful take on 60s psych revival on their debut self-titled LP, “The Gentle Cycle”. Recorded in the top studio of the notorious Cafe Stritch, the band consists of Derek See on lead guitar and vocal, Maxwell Borkenhagen on rhythm, Todd Flanagan on bass, and Craig Heitkam on drums.

As a whole, the albums keeps a consistent lo-fi drive and sound, showing their eclectic taste of psychedelic music; ranging from garage, acid, folk, classic psychedelia and even dipping into some shoegaze drones and distortions. The record’s track listing is very calculated, continually bringing a new sound with each song keeping the listener’s ear fresh and attuned. The main conductor of the changing sound is Derek See’s lead guitar and songwriting complimented perfectly by the band. Starting off with a classic psych tune, “Follow Light” and gradually getting more and more experimental. Such as, the classic psych sound on “Love is the Plan” spiraling into an acidic pool of guitars and melodic distortion. These tend to be my favorite tracks, showcasing a signature sound and an understanding of what they’re pulling off as a band; a lo-fi, distorted wall of sound. My personal favorites are “Far Beyond” and “Shells & Spells” with their invigorating tempos & rhythms. While the band has their crunchy guitars and garage drums, the last tracks on A and B deliver a much more folk and acoustic sound, with “Way To Decay” and “New Day”.

Unfortunately, the band has decided to part ways, but the Gentle Cycle will forever remain a San Jose gem and staple, waiting to be uncovered by future generations with this release. Only 300 copies were made, so grab it if you can!

TG-2017

 

Various Artists “Toxic” 3LP – Because Music – 2005 – new wave, electro, hip hop

By |12/19/2017|News, Uncategorized|

Various Artists – Toxic – 3LP – Because Music – 2005 – France

“Toxic” was a party in France around the mid 2000s. Founded by electronic duo “The Reanimators” (DJ’s Solo & Uncle O), this party played a wide variety of genres from 80’s – industrial / post punk / hip hop / electro to current indie / electronic / house music. I tried doing some research to see if the party was still active, but their website was down and I couldn’t really find much anything else to confirm.  I wish I was able to check one of these nights out. A curated eclectic mix of drum machines, grooves, hip hop, noise, and funk make Toxic a surprisingly slept on compilation from the French label, Because.

“Toxic” starts off with a low-end heavy downtempo cut from the brain-trust duo themselves, The Reanimators. “Toxic Bird Cage” is a gritty hip hop cut w/ some vocoders over the top.  The next batch of tracks are hip hop instrumentals from Jel (Anticon) & Beans (Antipop Consortium).  “The Livestock” by Jel carry’s over the lo-fi sound of the track prior, but this track is much funkier with his chosen guitar & horn samples. “Bubonic” by Beans originally had raps over it, but the compilation chose to feature the instrumental version.  It gets more left of center and is much more electronic in feel with its synth stabs and laser sound effects. The Fearless Four take it to full on 80’s electro b-boy jam on that ass with “F-4000”.  Old school-style scratches over a steady drum machine beat & vocoder raps? You can’t go wrong.
Next is another instrumental hip hop cut from Masta Killa of the legendary Wu Tang Clan. Again, some vocoders come into play on “Digi Warfare”, but the beat is much more modern in feel. It’s also eerier with a more cinematic sound. The pace picks up with modern uptempo tracks from the likes of The Juan MacLean, Antipop Consortium, & Jackos.  It then turns around and heads back to the 80’s with some post punk from The Royal Family & The Poor, a lesser known act on Factory Records. The punk-funk sounds of New York’s ESG follows with their track “Bam-Bam Jam”. Spain’s Esplendor Geometrico follow up with an amazing proto-industrial-synth track in “Moscu Esta Helado”, which is also performed in Spanish. Another standout, “Someone Like You” by Swedish band Revl9n follows, which is as perfect a blend of indie dance rock. It’s still as catchy now as it was then. The compilation rounds out with a string of quality electro style cuts from the likes of Maggotron, Justice and Dabrye.

As a whole, this compilation represents what the “Toxic” party was all about- musical diversity. To play it from beginning to end is probably how a “Toxic” set sounded and it seems like a true testament to how varied a modern music fans collection may be.  Someone send us a message and tell us if this party still goes down.

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