{"id":571,"date":"2017-05-25T18:17:55","date_gmt":"2017-05-25T18:17:55","guid":{"rendered":"http:\/\/needletothegroove.net\/?p=571"},"modified":"2017-05-25T18:17:55","modified_gmt":"2017-05-25T18:17:55","slug":"egyptian-lover-1984-lp-2016-egyptian-empire","status":"publish","type":"post","link":"https:\/\/needletothegroove.net\/index.php\/2017\/05\/25\/egyptian-lover-1984-lp-2016-egyptian-empire\/","title":{"rendered":"Egyptian Lover &#8220;1984&#8221; LP &#8211; 2016 Egyptian Empire"},"content":{"rendered":"<p>Back in the mid 80&#8217;s, my uncle Mario would take my cousins and I to and from school, and during these car trips is when I got my first taste of so much of the music I still hold near and dear to me to this day. The sounds of rap and freestyle boomed through my uncle&#8217;s booming sound system, the bass especially shaking our little frames down to the core. I absolutely loved it. Acts like Newcleus, Kraftwerk, Afrika Bambaataa, Mantronix, Cybotron, and even N.W.A. and 2 Live Crew, fed our ears with that beautiful low end bass. But for me, one track in particular stood out above the rest- &#8220;Egypt, Egypt&#8221; by Egyptian Lover. This is one of those tracks that molded me and my musical palette. Egyptian lover was an inspiration. When I started DJing and breakdancing in the 90s, &#8220;Egypt, Egypt&#8221; always had to be in the rotation. Fast forward to the present day, and I still love playing that track out when I spin.<\/p>\n<p>After nearly a decade without a new album, Egyptian Lover returned with his latest album titled &#8220;1984&#8221; (the year &#8220;Egypt, Egypt&#8221; came out), and it is nothing but pure, unapologetic vocoder-tinged electro-rap. He uses all analog gear, including the drum machine that changed the game forever, the infamous Roland TR-808. The opening track, &#8220;Into The Future&#8221;, starts off w\/ a snare-kick combo reminiscent of &#8220;Egypt, Egypt&#8221;. The next track, &#8220;Killin&#8217; It&#8221;, absolutely does just that. It instantly reminds me of a blend of Hashim&#8217;s &#8220;Al NaaFiysh (The Soul) and Cybotron&#8217;s &#8220;Clear&#8221;, two other 80&#8217;s electro staples. Cuts like &#8220;Seduced&#8221;, &#8220;Bellydance&#8221;, and &#8220;She&#8217;s So Freaky&#8221; showcase the infamous synth sounds of &#8220;The Nile&#8221; for which Egypt is widely known. &#8220;Dance To My Beat&#8221; sounds a little more new school, like early recordings from Detroit&#8217;s electro\/techno group Aux88.<\/p>\n<p>All in all, the album, which was recorded in the same group of studios that his breakthrough album &#8220;On The Nile&#8221; was recorded at over 30 years ago, is nothing but solid bass bangers. It maintains that uptempo party vibe that has made me a fan since I was a kid. Egyptian Lover has managed to create a retro sound that still sounds as fresh as it did so many decades ago. <\/p>\n<p>MB-2017<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back in the mid 80&#8217;s, my uncle Mario would take my cousins and I to and from school, and during these car trips is when I got my first taste of so much of the music I still hold near and dear to me to this day. The sounds of rap and freestyle boomed through [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":572,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":0,"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":""},"categories":[13],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/needletothegroove.net\/index.php\/wp-json\/wp\/v2\/posts\/571"}],"collection":[{"href":"https:\/\/needletothegroove.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/needletothegroove.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/needletothegroove.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/needletothegroove.net\/index.php\/wp-json\/wp\/v2\/comments?post=571"}],"version-history":[{"count":0,"href":"https:\/\/needletothegroove.net\/index.php\/wp-json\/wp\/v2\/posts\/571\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/needletothegroove.net\/index.php\/wp-json\/wp\/v2\/media\/572"}],"wp:attachment":[{"href":"https:\/\/needletothegroove.net\/index.php\/wp-json\/wp\/v2\/media?parent=571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/needletothegroove.net\/index.php\/wp-json\/wp\/v2\/categories?post=571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/needletothegroove.net\/index.php\/wp-json\/wp\/v2\/tags?post=571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}